12/2018: moderation of the panel "Visible Sounds," Festival "Heroines of Sound," Hebbel am Ufer, HAU 2, Berlin. 
http://www.heroines-of-sound.com/panels-2018

07/2018: contribution "‘The struggle is not over yet’ – Re-mediating archives of militant cinema," Besides the Screen Conference 2018. Vaults, Archives, Clouds and Platforms: Archiving and Preservation in the 21st Century, ISMAI, Porto.
http://besidesthescreen.com/ldn-full-schedule/

03/2018: DAAD (German Academic Exchange Service) Short Time Lectureship at ECA, Escola de Comunicações e Artes, Universidade de São Paulo with invitations to UFRGS, Porto Alegre (supported by Goethe Institute Porto Alegre) and UFES Vitória ES (supported by Goethe Institute Rio de Janeiro)
https://www.ufrgs.br/institutodeartes/index.php/2018/02/20/seminario-internacional-convergencias-pesquisa-artistica-e-praticas-experimentais-acontece-de-06-a-08-de-marco-no-dad-iaufrgs-entrada-franca-para-todas-as-atividades/
http://encontrotransdisciplinar.com/en/programming/
http://encontrotransdisciplinar.com/en/guests/

11/2017: contribution "Rusty Stereotypes or how to think differently about migration," Lübeck Film Studies Colloquium, Nordische Filmtage Lübeck
http://www.luebeck.de/filmtage/de/projekte/colloquium.html

10/2017: screening "Terribe Houses in Danger" as part of the Werkleitz Festival "Nicht mehr noch nicht," curated by Janina Kriszio and Cornelia Lund
http://nicht-mehr-noch-nicht.werkleitz.de/en/nmnn-filmprogramm

10/2017: contribution "Looking back into the future – rethinking archives in relation to decolonial futures," conference "Translating Pasts into Futures. Decolonial Perspectives on Things in Art, Design and Film", HfBK Hamburg
https://www.transcript-verlag.de/978-3-8376-4342-8/archive-dekolonialisieren/?number=978-3-8394-4342-2

06/2017: contribution "From Expansion to Explosion? Audiovisual Documentary Performances and the Sensory Cinema," NECS Conference "Sensibility & the Senses. Media, Bodies, Practices," Université Sorbonne Nouvelle, Paris. Panel "Sensory Documentary Cinema," 
https://necs.org/conference/

06/2017: co-chair/program committee at "Klingt gut!. Symposium on Sound", HAW Hamburg
http://klangsymposium.de/

April 2017: contribution "Diamniadio – l’urbanisme par la vidéo," final event of the project "Le dernier village", Goethe-Institut Dakar
https://www.goethe.de/ins/sn/fr/ver.cfm?fuseaction=events.detail&event_id=20966143

02/2017: contribution "Different by Design. Migration gegen den Strich gedacht" (with Holger Lund), conference "Design Dispersed. Formen der Migration und Flucht", Zentralinstitut für Kunstgeschichte und LMU München
https://www.zikg.eu/veranstaltungen/2017/design-dispersed-formen-der-migration-und-flucht

01/2017: co-editor of Saz Beat Vol. 3, Corvo Records, Global Pop First Wave, Berlin, 2017
http://corvorecords.de/global-pop-first-wave/saz-beat-iii

12/2016: jury member for Porto/Post/Doc – Film & Media Festival
www.portopostdoc.com/home-en/festival/2016/jury/

12/2016: contribution "From Expansion to Explosion? Audiovisual Documentary Performances and the Sensory Cinema," Forum of the Real, Painel 2 "Sobre o cinema sensorial," Porto.Post.Doc Festival, Porto 
http://www.portopostdoc.com/home-en/festival/2016/about/

12/2016: "Die Elastizität des Dokumentarischen. Der Dokumentarfilm zwischen Kino- und Kunstkontext," in: Carsten Heinze, Thomas Weber (eds.), Medienkulturen des Dokumentarischen, Springer VS, Wiesbaden 2017, pp. 253–267.
www.springer.com/de/book/9783658146979

11/2016: guest speaker at "Sound/Image Colloquium: Exploring sonic and audio-visual practice", Greenwich University, London
www.gre.ac.uk/ach/events/soundimage

11/2016: Contribution "Aesthetics and Politics in the Cinema of Göran Hugo Olsson. The Black Power Mixtape 1967–1975", Lübeck Film Studies Colloquium, Nordische Filmtage Lübeck
http://www.luebeck.de/filmtage/archiv/2016/de/index.html

07/2016: "Sculpting Image and Sound – On Herman Kolgen’s Audiovisual Projects," in: Yael Kaduri (ed.), The Oxford Handbook Sound and Image in Western Art, Oxford University Press, New York, 2016. pp. 107–123.
https://global.oup.com/academic/product/the-oxford-handbook-of-sound-and-image-in-western-art-9780199841547?cc=de&lang=en&

05/2016: "Música Visual. Aspectos de um não-gênero," in: Patrícia Moran (ed.), Cinemas transversais, Editora Iluminuras, São Paulo, 2016. pp. 79–88.
www.iluminuras.com.br/v2/detalhes_livros.asp?cod=5913&txtBusca=cinema&autor=Patr%C3%ADcia%20Moran&tema_cor=5ec3ae&titulo=Cinemas%20transversais

12/2015: contribution "Style and Society – Istanbul’s Music Scene in the 1960s and 1970s: Musical Hybridism, the Gazino and Social Tolerance" (with Holger Lund), in: Dietrich Helms, Thomas Phleps (eds.) Speaking in Tongues. Pop lokal global, Bielefeld, 2015, p. 177-198.
http://geb.uni-giessen.de/geb/volltexte/2017/12973/pdf/Popularmusikforschung42_11_Lund.pdf
www.transcript-verlag.de/en/978-3-8376-3224-8/speaking-in-tongues

11/2015: Ana Carvalho, Cornelia Lund (eds.), The Audiovisual Breakthrough, with articles by Ana Carvalho, Eva Fischer, Cornelia Lund, Gabriel Menotti, Adeena Mey, and a survey by Maria Pfeiffer. Design by Eva-Maria Offermann, Berlin, 2015.
Published online and printed:
www.ephemeral-expanded.net/audiovisualbreakthrough

09/2015: contribution "If the Future Is Software-defined, What To Do with Our Hands?", in: Kulle, Daniel/Lund, Cornelia/Schmidt, Oliver/Ziegenhagen, David (eds.): Post-digital Culture, Hamburg, 2015.
Published online:
http://www.post-digital-culture.org/clund

05-07/2015: co-curator (with Janina Kriszio and Vanessa Weber) of "Architektur-Visionen" – a series of events at the 8. Hamburger Architektur Sommer
http://dokart.medienkulturforschung.net/architektur-visionen/

Since summer term 2015: Lecturer for Design Theory, Hochschule für Künste, Bremen
http://www.hfk-bremen.de/en/profiles/n/cornelia-lund

12/2014: contribution "Le cinéma comme poésie dansante. Les films de Man Ray," in: Marion Poirson-Dechonne and Catherine Soulier (eds.), Textimage, Le Conférencier, Dec. 2014, "Cinéma & poésie. Réflexions".
Published online:
http://revue-textimage.com/conferencier/04_cinema_poesie/lund1.html

10/2014: contribution about "Style and Society – From musical Observations to the Image of the City. Istanbul’s music scene in the 1960s and 1970s" (with Holger Lund), conference "States of Mind and the City: Place of Wellbeing", Kadir Has University, Istanbul
www.cool-istanbul.net
Published in: Dietrich Helms, Thomas Phleps (eds.) Speaking in Tongues. Pop lokal global, Bielefeld, 2015, pp. 177–198.
www.transcript-verlag.de/en/978-3-8376-3224-8/speaking-in-tongues

08/2014: lecture "Seminário Música Visual" (with Holger Lund), CAHL-URFB Cachoiera, Bahia
www.ufrb.edu.br/artesvisuais/extensao

since 07/2014: member of dokart Hamburg
http://dokart.medienkulturforschung.net/

05/2014: co-curator of the film screenings "Deutsche Bilder – Mädchen mit Zwanzig" and "Deutsche Bilder – Turbine" for Berlin Documentary Forum 3, HKW Berlin
http://www.hkw.de/en/programm/projekte/veranstaltung/p_103031.php
http://www.hkw.de/en/programm/projekte/veranstaltung/p_103091.php

04/2014: co-editor and author Design der Zukunft, based on the conference series at the  DHBW Ravensburg
https://www.avedition.de/de/design-der-zukunft.html
http://www.slanted.de/shop/design-der-zukunft

04/2014: contribution about "Towards a New Love – Gender Shifting in Contemporary Music Video" (with Holger Lund), conference "Straight from the Heart. Amour & Rock (Love & Rock)", University Paul-Valéry, Montpellier 3 & University of Chester (UK)
http://pop-music-research.blogspot.de/2013/03/straight-from-heart-conference-on-love.html
Published online: https://norient.com/academic/gender-shifting-music-video

since 10/2013: lecturer for design theory at the HAW Hamburg, Department for Design
https://www.haw-hamburg.de/english.html

07/2013: co-session chair manager "Postdigitalität und Film," conference at the Institute for Media and Communication (IMK), Hamburg University
http://post-digital-culture.org/

04/2013: co-session chair manager "Design der Zukunft II," conference at the DHBW Ravensburg
www.designderzukunft.de

02/2013: project space General Public wins competition „Auszeichnung künstlerischer Projekträume und -initiativen im Bereich Bildende Kunst“ 2012 of Berliner Senatskanzlei für Kulturelle Angelegenheiten
http://www.art-in-berlin.de/incbmeld.php?id=3333

06/2012: co-session chair manager "Design der Zukunft," conference at the DHBW Ravensburg
http://2012.designderzukunft.de/

04/2012-03/2108: research associate at the DFG-project "History of Documentary Film in Germany 1945-2005" at Hamburg University
http://www.dokumentarfilm.info/index.php/haus-des-dokumentarfilms/hdf-dokumentarfilmforschung.html?p=413
http://www.dokumentarfilmgeschichte.de/

09/2011-03/2102: visiting professor for Culture.Aesthetics.Media at the University of Applied Sciences Düsseldorf
https://soz-kult.hs-duesseldorf.de/studium/studiengaenge/ma-kaem

2011: author of the contribution "From Experiment To Theory – a look at the VJ scene in Berlin," Goethe Institute, 2011
Published online:
http://www.goethe.de/ins/ng/lag/kul/mag/mus/en7780625.htm

2010: co-author of the contribution "Get the cut" for <Rewind>Play>>Fast Forward? The Past, Present and Future of Music Video
https://www.transcript-verlag.de/978-3-8376-1185-4/rewind-play-fast-forward/

10/2009-10/2010: research associate at the DFG-project "History of Documentary Film in Germany 1945-2005" at the HFF Potsdam-Babelsberg (now: Filmuniversität Babelsberg Konrad Wolff)
https://www.filmuniversitaet.de/

2009: the publication Audio.Visual was awarded "most beautiful german books 2009" by Stiftung Buchkunst and was suggested for the national design award of germany 2011
www.stiftung-buchkunst.de

2009: 2009: author of "Cinedance, Dance in Cinema, and Dancing Cinema," in: See This Sound, online and book publication, Ludwig Boltzmann Institut Medien.Kunst.Forschung
http://www.see-this-sound.at/compendium/abstract/50.html

2009-2014: lecturer for master studies intermedia at the FH Vorarlberg, Dornbirn 
https://www.fhv.at/en/studies/design/intermedia-ma/

2009: co-editor and author Audio.Visual – On Visual Music and Related Media
Book with dvd, with films/videos by Walter Ruttmann, Mary Ellen Bute, Malcolm Le Grice,  Pfadfinderei/Modeselektor.
https://www.fluctuating-images.de/audio-visual-on-visual-music-and-related-media

2009: co-editor Vidos (dvd publication)
Videos by zeitguised, Quayola, Paolo Lima/MusaWorkLab, Brian Bixby/Keep Adding, Scott Pagano/Neither Field, Mateuniverse, Marcelo Baldini, Giraffentoast, Markus Wambsganss, Antonin de Bemels und Sam Vanoverschelde/Visual Kitchen. Music: Michael Fakesch.
https://www.fluctuating-images.de/vidos-videos-to-the-music-of-michael-fakeschs-album-dos/

2009: prix ars electronica, Media.Art.Research Award: member of the jury
http://archive.aec.at/print/showmode/43/

winter term 2008/2009: lecturer for visual music at the UdK Berlin
www.udk-berlin.de

5/2008-08/2009: editing director Holzwarth Publications, Berlin
www.holzwarth.de

2008: co-author of the contribution "Beat the Film – zur Ästhetik zeitgenössischer Visual Music," in: Klaus Krüger, Matthias Weiss (eds.), Tanzende Bilder. Interaktionen von Musik und Film, München: Fink, 2008, pp. 131–147.
www.fink.de/katalog/titel/978-3-7705-4531-5.html

2/2007: session chair manager "Visual Music", CAA Annual Conference, New York
http://www.collegeart.org/pdf/conference/2007ConferenceSessions.pdf

2007: curator of "Exploring Party - Party as art," Württembergischer Kunstverein, Stuttgart
With films/videos by Ronald Nameth, Maya Deren, Jonas Mekas, Pfadfinderei & Modeselektor, Dominik Eulberg & Yvette Klein et al.
https://www.fluctuating-images.de/exploring-party-party-as-art-from-warhols-epi-to-now/
Publication

2006-2008: lecturer at the Departement of Art History, University of Heidelberg
https://www.uni-heidelberg.de/fakultaeten/philosophie/zegk/iek/

2006: lecturer at the Stuttgart State Academy of Art and Design 
www.abk-stuttgart.de

12/2005-6/2006: project coordinator at the Württembergischer Kunstverein Stuttgart for the Antoni Muntadas exhibition "Protocols"
https://www.wkv-stuttgart.de/en/program/2006/exhibitions/muntadas/

2004-2008: lecturer at the Department of Art History and the Department of Architecture, University of Stuttgart, Germany, lecturer at the Department Visual Commuication, University of Applied Sciences Würzburg, lecturer at the ICN Ecole de Management, Nancy
www.uni-stuttgart.de/idg1/
www.fh-wuerzburg.de
www.icn-nancy.com/

since 9/2003: director and curator of the non-commercial, independent project space fluctuating images. contemporary media art e.V., Stuttgart, Germany, together with Holger Lund
www.fluctuating-images.de

7/2001-12/2004: scientific coordinator at the International Centre for Cultural and Technological Research, University of Stuttgart
www.izkt.de

winter term 2003/2004: lectures on "Photography and Books," University of Bremen

2000-2001: project leader for the pedagogic research project "sense&cyber" (Landesverband der Kunstschulen Niedersachsen/ Kunstschule Meppen)
www.koppelschleuse-meppen.de

1997-2001: PHD on "French Poetry Illustration," University of Stuttgart, funded by the Landesgraduiertenförderung Baden-Württemberg
http://www.aisthesis.de/epages/63645342.sf/de_DE/?ObjectID=26075912

1-6/1999: International Research Programme, Ecole Normale Supérieure de Fontenay/SaintCloud (Paris)

1993-2000: educational services Stuttgart (Staatsgalerie Stuttgart): gallery talks and guided tours
https://www.stuttgart.de/kubis

1997: MA thesis "Le pouvoir de la ligne. Guillaume Apollinaire’s Le Bestiaire ou Cortège d’Oprhée," University of Stuttgart

1990-1997: student at the University of Stuttgart and the Université de Franche Comté, Besançon in History of Art and Romance languages and Literatures

since 1997: curator for various institutions incl. Mapping Festival Geneva, Academy of the Arts Berlin, Index Festival New York, Hamburger Architektursommer

Publications (list in German): download